Glenn gould goldberg variations torrent mp3

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I'd just love to hear it as Gould imagined it rather than as it was captured, not as a replacement necessarily, but as a companion.The MRI is a bundle of software exeвЂ™s that the geek squad agents run on your PC to fix pretty much all software issues except for full system restores.

Listened to at low volumes, I can still do that with Gould's later recordings, but if the piece is played loudly enough to make the piano's voicing and dynamics distinctive, then the voice-over clouds the texture. (Or, I guess, you can sort of Necker between the two if you can't quite hit the enlightenment listning.) That was where Gould blew the 'reference' Landowska out of the water in '55 (she played a much more 'chorded' performance).

It's not that I avoid Gould (or suggest anyone else does)-in fact I've got his entire Bach catalog and love it (Beethoven and Sibelius, not so much)-but one of the immense pleasures of listening to Bach in any form, and particularly in Gould's performances, is that one can listen to the whole of a piece and follow the voices individually at the same time. It bothered him that the non-Bachness of his singing has to be recorded along with what Bach wrote.) (Note that he's doing a sort of meta-riff much of the time rather than simply singing along with his playing. Gould did, but found that they had become such an intrinsic part of his learning of the piece that he was unable to play to his satisfaction without vocalizing. As for greatest pianist of the 20th century, let's be honest: Rubinstein and Horowitz were both better pianists and incomparably better musicians.Д®xcept that Jarrett did not, himself, want to get rid of the vocalizations. Look at the Goldberg recordings on harpsichord by Wanda Landowska (my favorite) and Anthony Newman for much, much better renditions than Gould. As for his messing with tuning and his piano, he was largely an eccentric crank who pretended that no one else was doing that, had been doing that, and was doing a better job than him. His voicing ranges from pedestrian to wrong. His tempos are often so bizarrely fast or slow that the music is lost (particularly in the two and three part inventions). However, I'm confused why Gould came up at all, since his recordings of Bach are lousy. I'm a violinist, not a pianist, so I don't know the Goldberg inside and out the way I do the Sonatas and Partitas. My gripes are tiny, things like in variation 13, I'd love to hear a little more leading through the phrase with the pedal, but honestly, that would probably break something else in the phrasing. The voicing is very clear, the touch light, and the phrasing clear.